Moonrise Theme

Moon Jekyll Theme 06 Apr 2016Reading time 3 minutesMoon is a minimal, one column jekyll theme.I’m not a developer or designer. And I don’t add footer to show who did this theme. If you like this theme or using it, please give a star for motivation, It makes me happy. Installation. Fork the. Edit config.yml file.

Remove sample posts from posts folder and add yours. Edit index.md file in about folder. Change repo name to YourUserName.github.ioThat’s all. Preview Screenshots of Moon ThemeMoon Theme on Small Screen SizeSee a hosted on GitHub. Site SetupA quick checklist of the files you’ll want to edit to get up and running. Site Wide Configurationconfig.yml is your friend.

Open it up and personalize it. Most variables are self explanatory but here’s an explanation of each if needed: titleThe title of your site shocker!Example title: My Awesome Site bioThe description to show on your homepage.

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External links will open in a new window. title: Home url: / - title: Blog url: /blog/ - title: Projects url: /projects/ - title: About url: /about/ - title: Moon url: and ContentMoon Theme use to compress html output.

But it can cause errors if you use “linenos” (line numbers). I suggest don’t use line numbers for codes, because it won’t look good with this theme, also i didn’t give a proper style for them. If you insist to use line numbers, just remove layout: compress string from layouts. It will disable compressing. Feature ImageYou can set feature image per post.

Just add feature: some link to your post’s front matter. Feature: /assets/img/some-image.pngorfeaure: also will be used for twitter card:CommentsTo show disqus comments for your post add comments: true to your post’s front matter.Questions?Found a bug or aren’t quite sure how something works? By all means. And if you make something cool with this theme feel free to let me know.LicenseThis theme is free and open source software, distributed under the MIT License. So feel free to use this Jekyll theme on your site without linking back to me or including a disclaimer.

Running time94 minutesCountryUnited StatesLanguageEnglishBudget$16 millionBox office$68.3 millionMoonrise Kingdom is a 2012 American directed by, written by Anderson. It features an ensemble cast including, and newcomers. Largely set on the fictional New England island of New Penzance, it tells the story of an orphan boy (Gilman) who escapes from a scouting camp to unite with his pen pal and love interest, a girl with aggressive tendencies (Hayward).

Feeling alienated from their guardians and shunned by their peers, the lovers abscond to an isolated beach. Meanwhile, the island's police captain (Willis) organizes a search party of scouts and family members to locate the runaways.In crafting their screenplay, Anderson and Coppola drew from personal experiences and memories of childhood fantasies as well as films including (1971) and (1959). Auditions for took eight months, and filming took place in over three months in 2011.Moonrise Kingdom premiered at the and received critical acclaim, with its themes of young love, juvenile mental health, and the being praised. Critics cited the film's color palette and use of visual symmetry as well as the use of original composition by to supplement existing music. It was nominated for the and the. In 2016, the included the film in.

Contents.Plot On the island of New Penzance, 12-year-old orphan Sam Shakusky is attending Camp Ivanhoe, a Khaki Scout summer camp led by Randy Ward. Suzy Bishop, also 12, lives on the island with her parents Walt and Laura, both attorneys, and her three younger brothers in a house called Summer's End.

Sam and Suzy, both introverted, intelligent and mature for their age, meet in the summer of 1964 during a church performance of and became. The relationship becomes romantic over the course of their correspondence and they make a secret pact to reunite and run away together. In September 1965, they execute their plan. Sam escapes from Camp Ivanhoe while Suzy runs away from Summer's End.

The pair meet at their rendezvous, hike, camp, and fish in the wilderness with the goal of reaching a secluded cove on the island.Meanwhile, the Khaki Scouts have become aware of Sam's absence, finding a letter he left behind stating he has resigned his position as a Khaki Scout. Scout Master Ward tells the Khaki Scouts to use their skills to set up a search party and find Sam. Eventually, a group of Khaki Scouts confronts Sam and Suzy and tries to capture them. During the resulting altercation, Suzy injures the Scouts' de facto leader, Redford, with a pair of lefty scissors, and a stray arrow fired by one of the Scouts kills Camp Ivanhoe's dog Snoopy. The Scouts flee, and Sam and Suzy hike to the cove, which they name 'Moonrise Kingdom'.

They set up camp, and as the romantic tension between them grows, they dance on the beach and share each other's first kiss.Suzy's parents, Scout Master Ward, the Scouts from Camp Ivanhoe, and Island Police Captain Duffy Sharp finally find Sam and Suzy in their tent. Suzy's parents take her home. Ward gives Sam a letter from the Billingsleys stating that they no longer wish to house Sam.

He stays with Sharp while they await the arrival of 'Social Services,' an otherwise nameless woman who plans to place Sam in a 'juvenile refuge' and explore the possibility of treating him with.While contemplating in their treehouse, the Camp Ivanhoe Scouts have a change of heart and decide to help Suzy and Sam. Together, they paddle to a neighboring St.

Jack Wood Island to seek out the help of Cousin Ben, an older relative of one of the Scouts. Ben works at Fort Lebanon, a larger Khaki Scout summer camp on St.

Jack Wood Island run by Ward's superior Commander Pierce. Ben decides to try to take Sam and Suzy to a crabbing boat anchored off the island so that Sam can work as a crewman and avoid Social Services. Ben performs a 'wedding' ceremony, which he admits is not legally binding before they leave. Sam and Suzy never make it onto the crabbing boat, and Suzy's parents, Captain Sharp, Social Services, and the scouts of Fort Lebanon under the command of Scout Master Ward, pursue them instead.A violent hurricane and flash flood strike, and Sharp apprehends Sam and Suzy on the steeple of the church in which they first met. Lightning destroys the steeple, but Sharp saves them. During the storm, Sharp decides to become Sam's legal guardian, allowing him to stay on New Penzance Island and maintain contact with Suzy.At Summer's End, Sam is upstairs painting a landscape of Moonrise Kingdom.

Suzy and her brothers are called to dinner, while Sam slips out of the window to join Sharp in his patrol car and tells Suzy that he will see her the following day.Production Development Director Wes Anderson had long been interested in depicting a romance between children. He described the starting idea for the story as a memory of fantasized young love:I remember this feeling, from when I was that age and from when I was in fifth grade, but nothing really happened. I just experienced the period of dreaming about what might happen, when I was at that age. I feel like the movie could really be something that was envisioned by one of these characters.When he was 12, Anderson lived in Texas with two brothers. His parents were separating, and influenced his later depictions of crumbling marriages. He was briefly a, and had acted in a play about. A childhood incident inspired the scene where Suzy reveals her parents' book Coping with the Very Troubled Child.

He found a similarly titled book belonging to his father and remarked, 'I immediately knew who that troubled child was.' After working on the screenplay for a year, Anderson said he had completed 15 pages and appealed to his collaborator for help; they finished in one month. Coppola drew on memories of his mother in giving Mrs. Bishop a to communicate inside the house. Anderson described the 1965 setting as randomly chosen, but added it fit the subject of the Scouts and the feel of a '-type of '.

While preparing the script Anderson also viewed films about young love for inspiration, including,. 's 1959 French film about juvenile delinquency was also an influence.After his 2009 film underperformed, Anderson said he had to pitch Moonrise Kingdom with a smaller budget than he would have otherwise requested. The budget was 16 million, and his producers and agreed to back the project.

Casting ActorRole.Captain Sharp.Scout Master Randy Ward.Mr. Bishop.Social Services.Sam.Suzy.Cousin Ben.Commander Pierce.NarratorThe crew scheduled a substantial amount of time for casting the Sam and Suzy characters. Anderson expressed apprehension about the process saying, 'there's no movie, if we don't find the perfect kids'.

The auditions took eight months at different schools. Anderson chose finding him 'immediately funny' thanks to his glasses and long hair, and for his voice and personality at the audition. Was cast because she read from the screenplay and spoke naturally as if it was real life. Hayward, who was 13, had seen Anderson's 2001 and interpreted Suzy as having a secretive nature, similar to that of Margot played. All the were novices. Anderson believed they had never even auditioned before. He put the successful candidates through months-long rehearsals.

He assigned Hayward book reading, and had Gilman practice scouting skills. Although Anderson could not envision one young auditioner, as Sam, he felt the boy was talented enough to be given an important role and cast him as Redford.and were regular actors in Anderson's. Schwartzman said he accepted the role of Cousin Ben without asking for a larger part, because in his experience Anderson always planned thoroughly what was best for his films, including casting characters. Unlike Murray and Schwartzman, and had not worked with Anderson. Journalist Jacob Weisberg characterized them as 'the '. While Anderson said that he wrote the part of Captain Sharp imagining the deceased playing him, he thought Willis could be the 'iconic policeman' once the screenplay was completed. Willis said he had seen all of Anderson's films and was interested in collaborating with the director.

Anderson also hoped Norton would play Scout Master Ward, commenting, 'he was somebody who I thought of as a scoutmaster. He looks like he has been painted by Norman Rockwell.' In June 2011, it was reported joined the cast after most of the other principal actors.

Pre-production. Maps were among the designed for the production.In the film, 12-year-old Suzy packs six fictitious storybooks she stole from the public library. Six artists were commissioned to create the jacket covers for the books, and Wes Anderson wrote passages for each of them. Suzy is shown reading aloud from three of the books during the film.

Anderson had considered incorporating animation for the reading scenes but chose to show her reading with the other actors listening spellbound. In April 2012, Anderson decided to animate all six books and use them in a promotional video where the film's narrator introduces each segment.Anderson described designing the maps for the fictitious New Penzance Island and St. Jack Wood Island saying: 'It's weird because you'd think that you could make a fake island and map it, and it would be a simple enough matter, but to make it feel like a real thing, it just always takes a lot of attention.' In addition to the books and maps, Anderson said the crew spent a substantial amount of time creating the watercolor paintings, needle-points and other original. He wanted to ensure that even if a prop is only briefly seen in the film 'you kind of feel whether or not they've got the layers of the real thing in them'.

The costumes for Suzy and Sam are based on photographs from the 1960s and.Anderson used for initial, searching for places where they could find Suzy's house and 'naked wildlife', considering Canada, Michigan and New England. The filmmakers running the Google search also looked at in Georgia, and the. Camp Yawgoog, an actual Scout camp in Rhode Island, served as the inspiration for the Khaki Scout sets, and many items were borrowed from the camp for props.Kasia Walicka-Maimone was the costume designer. Anderson presented her with concepts of how the characters should look. She drew on photographs from the 1960s and the uniforms of when designing Suzy and Sam's costumes.

(Their characters inspired many costumes in 2012.) While the filmmakers planned to model the animal costumes on those in real Noye's Fludde productions, they decided instead to fashion them as if they were made for U.S. Schools, consulting photographs from Anderson's former school.

Is referenced in the film.Professor Peter C. Kunze wrote that the story depicts 'preteen romance', exploring in the vein of. Several critics interpreted the ear-piercing scene as symbolizing the characters losing their virginity.

Author Carol Siegel judged the portrayal to be a positive take on 'youthful sexual initiation', from a mainly male perspective, but like many other U.S. Films she said it missed a female perspective.

Academic placed the story in the cinematic tradition of exploring 'young romance' and the resulting strife, with (1997) and (1999).However, film scholar Kim Wilkins rejected the notion that Moonrise Kingdom is a romance film. She argued the severity of Sam and Suzy's behavior, and their 'profound existential anxiety', indicate the characters were created as products of a more widespread concern for juvenile mental health. Wilkins wrote that the story dealt with 'existential' questions, with the two young protagonists rejected by society and allying to escape to 'a limited existence beyond its boundaries'. According to a analysis, Moonrise Kingdom represented Anderson's most focused study on a theme running through his work, 'the feelings of misunderstood, unconventional children'.J.M. Tyree of argued the story illustrated both an affinity with and 'arch skepticism' of the 'comedy of love', where in lovers, after courtship and marriage, would 'return to a reconstituted civilized order'. Sam and Suzy escape civilization but are always taken 'back into twisted knots of communal ties'. Critic wrote that, while camps are common settings for stories about 'innocence' lost, the truer theme was 'the awakening of the first radiance of mature intelligence in a world liable to be indifferent or hostile to it'.The narrative features collapsing families, represented by the Bishops' failing marriage.

Professor Emma Mason suggested their large house serves as a '-like shelter'. Sam is also disowned by his foster family for behaviors like arson while sleepwalking. While he told Suzy 'I feel like I'm in a family now', academic Donna Kornhaber argued Sam, as an orphan, has a realistic perspective on the difficulties of building a family. As an adoptive father Sharp may not be ready, Tyree wrote, 'but his lack of self-centeredness sets him apart from other would-be fathers or mentors in Anderson's world'.Professor Laura Shakelford observed how Suzy as the raven in Noye's Fludde is followed by a historic rainstorm echoing. Scholar Anton Karl Kozlovic suggested that while the film includes no quotes from the and no shots of a copy of the Book, Noah's story is used for symbolism. The children dress as animals before floods cause them to seek shelter in the church, Kozlovic observed. Following the Genesis narrative, after the New Penzance flood, there is 'abundant regeneration' with great harvests of high-quality produce.

Shakelford read the story as a commentary on the characters grappling with the relationship between 'the material world' in 'postmodern cultures' and that of animals. Various artistsReleasedMay 22, 2012Length1: 04: 11film soundtrack chronology(2009)Moonrise Kingdom(2012)(2014)composed the original score, with percussion compositions by frequent Anderson collaborator. The film's final credits feature a deconstructed rendition of Desplat's original soundtrack in the style of English composer 's Young Person's Guide, accompanied by a child's voice to introduce each instrumental section.The soundtrack also features music by Britten, a composer notable for his many works for children's voices. At Cannes, during the post-screening press conference, Anderson said,The Britten music had a huge effect on the whole movie, I think.

The movie's sort of set to it. The play of Noye's Fludde that is performed in it—my older brother and I were actually in a production of that when I was ten or eleven, and that music is something I've always remembered, and made a very strong impression on me. It is the color of the movie in a way.With many Britten tracks taken from recordings conducted or supervised by the composer himself, the music includes (Introduction/Theme; Fugue), conducted by; ('Cuckoo'; 'Old Abram Brown'); ('Playful Pizzicato'); (various excerpts, including the processions of animals into and out of the ark, and 'The spacious firmament on high'); and ('On the ground, sleep sound').Also featured are extracts from 's, 's ' and tracks. The soundtrack album reached number 187 on 's chart. Director and stars at theacquired world rights to the independently produced film.

Moonrise Kingdom on May 16, 2012, as the opening film at the, Anderson's first film to be screened there. Released the film in French theaters on the same day.

Followed on May 25, in. A, Cousin Ben Troop Screening with Jason Schwartzman, also directed by Anderson, was released on to promote the film. By its fifth week, the release was expanded to 395 theaters.In Moonrise Kingdom was released on and by on October 16, 2012, with like 'A Look Inside Moonrise Kingdom'. Released both a DVD and Blu-ray with a restoration on September 22, 2015. Reception Box office In its opening weekend, Moonrise Kingdom earned $523,006 in four theaters, setting a record for the greatest gross per theater average for a of $167,371.

After five weeks, it made $11.6 million. By September, it grossed $43.7 million, doubling that of Anderson's Fantastic Mr. Fox.Finishing its theatrical run on November 1, 2012, Moonrise Kingdom had grossed $45,512,466 domestically and $22,750,700 in international markets for a worldwide total of $68,263,166. It was Anderson's highest-grossing film in North America. Critical response Moonrise Kingdom received critical acclaim. Review aggregation website gives the film a rating of 93% based on reviews from 239 critics, with an average score of 8.2/10. The consensus states, 'Warm, whimsical, and poignant, the immaculately framed and beautifully acted Moonrise Kingdom presents writer/director Wes Anderson at his idiosyncratic best.'

Review aggregation website gives the film a weighted average score of 84 (out of 100), based on 43 reviews, indicating 'universal acclaim'. Moonrise Kingdom was also listed on many critics' top 10 lists of the year.

In 2016, it was voted 95th in an international critics' poll, the.rated the film three-and-a-half stars, praising the creation of an island world that 'might as well be ruled by '. A devoted fan of Anderson, hailed Moonrise Kingdom as 'a leap ahead, artistically and personally' for the director, for its 'expressly transcendent theme' and its spiritual references to Noah's Ark. Of gave the film four stars out of five, calling it 'another sprightly confection of oddities, attractively eccentric, witty and strangely clothed'.

's Manohla Dargis reviewed Anderson and Coppola's screenplay as a 'beautifully coordinated admixture of droll humor, deadpan and slapstick'. Positively reviewed the actors' performances, calling Norton engaging, Balaban 'delightful' and Willis agreeable. Travers also credited cinematographer Yeoman for 'a poet's eye' and composer for his contributions. As novice actors, Jared Gilman and Kara Hayward also received praise.

's review stated it was 'exhilarating' to see different elements combined, such as the music of Britten and Hank Williams. It called the end result 'an extraordinarily affected piece of filmmaking'. 's review by Todd McCarthy described the film as an 'eccentric, pubescent love story', 'impeccably made'. For, Nev Pierce declared it 'a delightful film of innocence lost and regained'. Of wrote that Moonrise Kingdom was 'Anderson's best live-action feature' and that it 'captures the texture of childhood summers, the sense of having a limited amount of time in which to do unlimited things'.

Jones of wrote that the film 'has a spontaneity and yearning that lend an easy comic rhythm', but it also has a 'rapt quality, as if we are viewing the events through Suzy's binoculars or reading the story under the covers by a flashlight'.Dissenting, wrote the 'self-consciously clever to a fault' approach to depicting the children gave him 'an emotional distance' to them. Dismissed it as 'juvenile gibberish' displaying 'lunatic fragments of surrealism'. ' Katherine Monk gave a mixed review, calling it 'kind-hearted and heavily contrived'.In later years, placed Scout Master Ward in Anderson's top 10 most memorable characters in 2015, at ninth place, calling him 'completely charming'; the same list also identified Suzy as 'one of Anderson's best-drawn female characters'. Chuck Bowen of judged Moonrise Kingdom and as exemplifying Anderson's new leaner style (compared to what Bowen called 'bloated speechifying' of past films) and credited editor for 'precise, unsentimental editing'.

In 2018, named Moonrise Kingdom as Anderson's seventh best of nine films, saying Sam and Suzy did not feel real. Accolades. And were jointly nominated for the.At Cannes, the film was in competition for the, although the only award it won there was the unofficial 'Palme de Whiskers' in recognition of the cat, 'Tabitha'.

In anticipation of the, journalist Lindsey Bahr called Moonrise Kingdom a 'wild card' in the awards campaign given it received no nominations at the or, but had won the. Early in the campaign, it was a contender for a nomination for the. Anderson and Coppola were ultimately nominated for the.The film was also nominated for the. It received five nominations at the, including for, and two nominations at the, including.

Controversy journalist Mina Zaher criticized the depiction of the sexual awakening between Sam and Suzy, expressing discomfort with the scene where Sam touches Suzy's breasts, calling it 'a step further or perhaps too far'. Zaher questioned if the children's sexuality could have been portrayed in a more appropriate way. Reviewing the scene where the characters dance wearing only their underwear, the stated 'The interlude doesn't quite cross over into the full-blown exploitation of children, but it teeters on that edge'. Professor Carol Siegel summed up the portrayal as 'delicate and to a large extent inoffensive'.In one scene, the dog Snoopy is killed by an arrow in a scene compared to.

This inspired a editorial by Ian Crouch, 'Does Wes Anderson Hate Dogs?' Crouch said that in the theater where he saw the film, 'the shot showing the dog impaled and inert elicited a shocked, yelping exhale from many people in the audience', and he observed outrage on. Critic Sonia Rao held up Snoopy's death as a prime example of 'A particular kind of darkness that lurks' in Anderson's filmography, where 'pets are so often the victims of the writer-director's quirky storytelling', but argued Anderson's 2018 served to remedy this. References. From the original on June 3, 2012. Retrieved June 13, 2013. ^ Clarke, Cath (2012).

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Eclipse Sublime Theme

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Retrieved May 11, 2018. It all goes a bit Lord of the Flies: Suzy stabs a boy in the kidney with left-handed scissors.

White, Sharr (December 18, 2012). From the original on May 13, 2018. Retrieved May 13, 2018. Anderson flirts with what could be true danger—a Lord of the Flies assemblage of Boy Scouts mounting a violent frontal assault against our protagonists. Crouch, Ian (June 21, 2012). From the original on May 14, 2018. Retrieved May 13, 2018.

The lone fatality is Snoopy, a handsome wire-hair fox terrier, who during a spat of Lord of the Flies-style violence among some children takes an errant arrow in the neck. Crouch, Ian (June 21, 2012). From the original on May 14, 2018.

Retrieved May 13, 2018. Rao, Sonia (March 22, 2018).

From the original on May 13, 2018. Retrieved May 13, 2018.Bibliography. Dilley, Whitney Crothers (2017). 'Introduction: Wes Anderson as Auteur'.

Cinema of Wes Anderson: Bringing Nostalgia to Life. Columbia University Press. Frierson, Michael (2018).

'Rhythmic and Graphic Editing'. Film and Video Editing Theory: How Editing Creates Meaning. Taylor & Francis. Gooch, Joshua (2014). 'Objects/Desire/Oedipus: Wes Anderson as Late Capitalist Auteur'. The Films of Wes Anderson: Critical Essays on an Indiewood Icon.

Springer. Kornhaber, Donna (2017). ' Moonrise Kingdom'. Wes Anderson. University of Illinois Press. Kozlovic, Anton Karl (2016).

'Noah and the Flood: A Cinematic Deluge'. In Rhonda Burnette-Bletsch (ed.). The Bible in Motion: A Handbook of the Bible and Its Reception in Film. Walter de Gruyter GmbH & Co KG. Kunze, Peter C.

'From the Mixed-Up Films of Mr. Anderson: Children's Literature as Intertexts'. The Films of Wes Anderson: Critical Essays on an Indiewood Icon. Springer. Linares, Nicolas Llano (2016).

'Emotional Territories: An Exploration of Wes Anderson's Cinemaps'. In Anna Malinowska; Karolina Lebek (eds.). Materiality and Popular Culture: The Popular Life of Things. Routledge.

Macdowell, James (2014). 'The Andersonian, the Quirky, and 'Innocence '. The Films of Wes Anderson: Critical Essays on an Indiewood Icon. Springer.

Mason, Emma (2016). 'Wes Anderson's Messianic Elegies'. In Mark Knight (ed.). The Routledge Companion to Literature and Religion. Routledge. Reinhartz, Adele (2013).

Bible and Cinema: An Introduction. London and New York: Routledge. Shakelford, Laura (2014). 'Systems Thinking in The Life Aquatic with Steve Zissou and Moonrise Kingdom'. The Films of Wes Anderson: Critical Essays on an Indiewood Icon. Springer. Shary, Timothy (2014).

Generation Multiplex: The Image of Youth in American Cinema Since 1980 (Revised ed.). Austin: University of Texas Press. Siegel, Carol (2015). Sex Radical Cinema.

Indiana University Press. Wilkins, Kim (2014). 'Cast of Characters'. The Films of Wes Anderson: Critical Essays on an Indiewood Icon. Springer.

Williams, Stephanie; Vidanovic, Christen (2013). This Modern Romance: The Artistry, Technique, and Business of Engagement Photography. CRC Press.External links Wikiquote has quotations related to:Wikimedia Commons has media related to. on.

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